Nigeria Culture
By Shalom Shalom
Child Rearing and Education
When children reach the age of about four or five, they often are expected to start performing a share of the household duties. As the children get older, their responsibilities grow. Young men are expected to help their fathers in the fields or tend the livestock. Young women help with the cooking, fetch water, or do laundry. These tasks help the children learn how to become productive members of their family and community. As children, many Nigerians learn that laziness is not acceptable; everyone is expected to contribute.
While children in most Nigerian societies have responsibilities, they also are allowed enough leeway to be children. Youngsters playing with homemade wooden dolls and trucks, or groups of boys playing soccer are common sights in any Nigerian village.
In many Nigerian ethnic groups, the education of children is a community responsibility. For example, in the Igbo culture the training of children is the work of both men and women, within the family and outside it. Neighbors often look after youngsters while parents may be busy with other chores. It is not strange to see a man disciplining a child who is not his own.
All Nigerian children are supposed to have access to a local elementary school. While the government aims to provide universal education for both boys and girls, the number of girls in class is usually much lower than the number of boys. Sending every child in a family to school can often put a lot of strain on a family. The family will lose the child's help around the house during school hours and will have to pay for uniforms and supplies. If parents are forced to send one child to school over another, many will choose to educate boys before girls.
Higher Education
Historically, Nigerians have been very interested in higher education. The lack of universities providing quality education equal to that in Britain was a major component of the social reforms that led to Nigeria's independence. Today there are forty-three universities in Nigeria. The majority of these are government-run, but the government has recently approved the creation of three private universities.
While Nigeria's system of higher education is the largest in Africa, the demand for higher education far exceeds the capacity of the facilities. There simply are not enough institutions to accommodate the demand. In 1998 only thirty-five thousand students were accepted to Nigerian universities out of a pool of more than four hundred thousand applicants.
Nigeria also has 125 technical training schools. The majority of these focus on polytechnic and agricultural training, with a few specializing in areas such as petroleum sciences and health.
Religion
It is estimated that 50 percent of Nigerians are Muslim, 40 percent are Christian, and that the remaining 10 percent practice various indigenous religions.
While Muslims can be found in all parts of Nigeria, their strongest footholds are among the Hausa and the Yoruba. Islam in Nigeria is similar to Islam throughout the world. It is based on the teachings of the Prophet Muhammad, which are outlined in the Qur'an.
Christianity is most prevalent in the south of Nigeria. The vast majority of Igbo are Christians, as are many Yorubas. The most popular forms of Christianity in Nigeria include Anglican, Presbyterian, American Southern Baptist, and Methodist. Also, there are large pockets of Seventh-Day Adventists and Jehovah's Witnesses.
Conflict with the way some missionaries administered the churches during colonial times also created several breakaway African-Christian churches. Most of these adhere to the doctrines of Western churches but have introduced African music and tradition to their Masses. Some have even eased Christian restrictions on polygamy.
Relations between Christians and Muslims are tense in many areas. Since late 1999, numerous clashes between the two have led to thousands of deaths. The northern city of Kaduna has been the flash point for many of these riots, as local leaders discussed whether to institute Shari'a law in the region. Demonstrations by Christians against the idea soon led to violent confrontations with Muslims. The debate over Shari'a law and the violence accompanying it continue in many of the northern states.
While Islam and Christianity are the dominant religions in Nigeria, neither is completely free of influence from indigenous religions. Most people who consider themselves good Muslims or good Christians often also follow local religious practices. This makes up for perceived shortcomings in their religion.
Most indigenous religions are based on a form of ancestor worship in which family members who have passed into the spirit world can influence things in the world of the living. This mixing of traditional ways with Islam has led to groups such as the Bori cult, who use spirit possession as a way to understand why people are suffering in this life. The mixing of traditional ways with Christianity has led to the development of the Aladura Church. Aladura priests follow basic Christian doctrine but also use prophecy, healing, and charms to ward off witchcraft.
Many Nigerians follow the teachings of purely indigenous religions. Most of these religions share the idea that one supreme god created the earth and its people, but has left people to decide their own paths in life. Followers of the traditional Yoruban religion believe that hundreds of spirits or minor gods have taken the place of the supreme god in influencing the daily lives of individuals. Many Yoruban slaves who were taken to the Caribbean and the Americas brought this religion with them. There it was used as the basis of Santeria and voodoo.
Because the vast majority of Igbos converted to Christianity during colonialism, few practice the traditional Igbo religion, which is based on hundreds of gods, not a single creator.
The Arts and Humanities
Support for the Arts
Nigerian art traditionally served a social or religious purpose and did not exist for the sake of art per se. For example, dance was used to teach or to fulfill some ritualistic goal. Sculpture was used in blessings, in healing rituals, or to ward off bad luck.
With increasing modernization, however, Nigerian art is becoming less oriented to a particular purpose. In some cases, Nigerians have abandoned whole forms of art because they no longer served a purpose.
For example, the elaborate tombstones once widely produced by the Ibibio are becoming increasingly rare as Western-style cemeteries are replacing traditional burial grounds.
The government has recognized this decline in Nigerian art. In an attempt to promote Nigerian nationalism through art, it has launched some programs, such as the All-Nigeria Festival of Arts, to revitalize the Nigerian art world. Many wealthy Nigerians looking to recapture their roots, as well as Western tourists and collectors looking for an African art experience, are willing to spend money on Nigerian art. This has led to a slight revival of the art industry.
Literature
Nigeria has a long and incredibly rich literary history. Nigerians are traditionally storytellers. Much of precolonial history in Nigeria is the result of stories handed down from generation to generation.
With colonization and the introduction of reading, writing, and the English language, Nigerian storytellers soon began sharing their talents with a worldwide audience. Perhaps Nigeria's most famous writer is Wole Soyinka, who won the 1986 Nobel Prize for literature.
His most famous works include A Dance of the Forests, The Swamp Dwellers, and The Lion and the Jewel. Other famous Nigerian authors include Chinua Achebe, whose Things Fall Apart is a favorite among Western schools as an example of the problems inflicted on African societies during colonization, and Ben Okri, whose novel The Famished Road won Britain's 1991 Booker Prize.
Graphic Arts
Nigeria is famous for its sculpture. The bronzework of the ancient cities of Ife and Benin can be found in museums all over the world. These areas in southern Nigeria still produce large amounts of bronze castings. Woodcarvings and terra-cotta sculptures also are popular.
Nigerians are expert dyers, weavers, and tailors. They produce massive quantities of beautiful, rich, and colorful textiles. However, the majority of these are sold primarily for everyday wear and not as examples of art.
Performance Arts
Dance and music are perhaps the two most vibrant forms of Nigerian art. Nigerian music is dependent on strong rhythms supplied by countless drums and percussion instruments. Highlife is a type of music heavily influenced by Western culture. It sounds like an Africanized version of American big band or ballroom music.
Afro-beat combines African rhythms and melodies with jazz and soul. One of Nigeria's best-known Afro-beat artists, Fela Kuti, was heavily influenced by American artists such as James Brown. Palm wine music gets its name from the palm wine saloons where it is traditionally heard. Its fast-paced, frenzied rhythms reflect the rambunctious nature of many palm wine bars.
Perhaps Nigeria's most popular form of music is juju, which uses traditional drums and percussion instruments to back up vocals and complicated guitar work. Popular juju artists include King Sunny Ade, Ebenezer Obey, and Shina Peters.
EMBASSY OF THE PEOPLE'S REPUBLIC OF CHINA IN THE FEDERAL REPUBLIC OF NIGERIA ALL RIGHTS RESERVED
http://ng.china-embassy.org/
By Shalom Shalom
Child Rearing and Education
When children reach the age of about four or five, they often are expected to start performing a share of the household duties. As the children get older, their responsibilities grow. Young men are expected to help their fathers in the fields or tend the livestock. Young women help with the cooking, fetch water, or do laundry. These tasks help the children learn how to become productive members of their family and community. As children, many Nigerians learn that laziness is not acceptable; everyone is expected to contribute.
While children in most Nigerian societies have responsibilities, they also are allowed enough leeway to be children. Youngsters playing with homemade wooden dolls and trucks, or groups of boys playing soccer are common sights in any Nigerian village.
In many Nigerian ethnic groups, the education of children is a community responsibility. For example, in the Igbo culture the training of children is the work of both men and women, within the family and outside it. Neighbors often look after youngsters while parents may be busy with other chores. It is not strange to see a man disciplining a child who is not his own.
All Nigerian children are supposed to have access to a local elementary school. While the government aims to provide universal education for both boys and girls, the number of girls in class is usually much lower than the number of boys. Sending every child in a family to school can often put a lot of strain on a family. The family will lose the child's help around the house during school hours and will have to pay for uniforms and supplies. If parents are forced to send one child to school over another, many will choose to educate boys before girls.
Higher Education
Historically, Nigerians have been very interested in higher education. The lack of universities providing quality education equal to that in Britain was a major component of the social reforms that led to Nigeria's independence. Today there are forty-three universities in Nigeria. The majority of these are government-run, but the government has recently approved the creation of three private universities.
While Nigeria's system of higher education is the largest in Africa, the demand for higher education far exceeds the capacity of the facilities. There simply are not enough institutions to accommodate the demand. In 1998 only thirty-five thousand students were accepted to Nigerian universities out of a pool of more than four hundred thousand applicants.
Nigeria also has 125 technical training schools. The majority of these focus on polytechnic and agricultural training, with a few specializing in areas such as petroleum sciences and health.
Religion
It is estimated that 50 percent of Nigerians are Muslim, 40 percent are Christian, and that the remaining 10 percent practice various indigenous religions.
While Muslims can be found in all parts of Nigeria, their strongest footholds are among the Hausa and the Yoruba. Islam in Nigeria is similar to Islam throughout the world. It is based on the teachings of the Prophet Muhammad, which are outlined in the Qur'an.
Christianity is most prevalent in the south of Nigeria. The vast majority of Igbo are Christians, as are many Yorubas. The most popular forms of Christianity in Nigeria include Anglican, Presbyterian, American Southern Baptist, and Methodist. Also, there are large pockets of Seventh-Day Adventists and Jehovah's Witnesses.
Conflict with the way some missionaries administered the churches during colonial times also created several breakaway African-Christian churches. Most of these adhere to the doctrines of Western churches but have introduced African music and tradition to their Masses. Some have even eased Christian restrictions on polygamy.
Relations between Christians and Muslims are tense in many areas. Since late 1999, numerous clashes between the two have led to thousands of deaths. The northern city of Kaduna has been the flash point for many of these riots, as local leaders discussed whether to institute Shari'a law in the region. Demonstrations by Christians against the idea soon led to violent confrontations with Muslims. The debate over Shari'a law and the violence accompanying it continue in many of the northern states.
While Islam and Christianity are the dominant religions in Nigeria, neither is completely free of influence from indigenous religions. Most people who consider themselves good Muslims or good Christians often also follow local religious practices. This makes up for perceived shortcomings in their religion.
Most indigenous religions are based on a form of ancestor worship in which family members who have passed into the spirit world can influence things in the world of the living. This mixing of traditional ways with Islam has led to groups such as the Bori cult, who use spirit possession as a way to understand why people are suffering in this life. The mixing of traditional ways with Christianity has led to the development of the Aladura Church. Aladura priests follow basic Christian doctrine but also use prophecy, healing, and charms to ward off witchcraft.
Many Nigerians follow the teachings of purely indigenous religions. Most of these religions share the idea that one supreme god created the earth and its people, but has left people to decide their own paths in life. Followers of the traditional Yoruban religion believe that hundreds of spirits or minor gods have taken the place of the supreme god in influencing the daily lives of individuals. Many Yoruban slaves who were taken to the Caribbean and the Americas brought this religion with them. There it was used as the basis of Santeria and voodoo.
Because the vast majority of Igbos converted to Christianity during colonialism, few practice the traditional Igbo religion, which is based on hundreds of gods, not a single creator.
The Arts and Humanities
Support for the Arts
Nigerian art traditionally served a social or religious purpose and did not exist for the sake of art per se. For example, dance was used to teach or to fulfill some ritualistic goal. Sculpture was used in blessings, in healing rituals, or to ward off bad luck.
With increasing modernization, however, Nigerian art is becoming less oriented to a particular purpose. In some cases, Nigerians have abandoned whole forms of art because they no longer served a purpose.
For example, the elaborate tombstones once widely produced by the Ibibio are becoming increasingly rare as Western-style cemeteries are replacing traditional burial grounds.
The government has recognized this decline in Nigerian art. In an attempt to promote Nigerian nationalism through art, it has launched some programs, such as the All-Nigeria Festival of Arts, to revitalize the Nigerian art world. Many wealthy Nigerians looking to recapture their roots, as well as Western tourists and collectors looking for an African art experience, are willing to spend money on Nigerian art. This has led to a slight revival of the art industry.
Literature
Nigeria has a long and incredibly rich literary history. Nigerians are traditionally storytellers. Much of precolonial history in Nigeria is the result of stories handed down from generation to generation.
With colonization and the introduction of reading, writing, and the English language, Nigerian storytellers soon began sharing their talents with a worldwide audience. Perhaps Nigeria's most famous writer is Wole Soyinka, who won the 1986 Nobel Prize for literature.
His most famous works include A Dance of the Forests, The Swamp Dwellers, and The Lion and the Jewel. Other famous Nigerian authors include Chinua Achebe, whose Things Fall Apart is a favorite among Western schools as an example of the problems inflicted on African societies during colonization, and Ben Okri, whose novel The Famished Road won Britain's 1991 Booker Prize.
Graphic Arts
Nigeria is famous for its sculpture. The bronzework of the ancient cities of Ife and Benin can be found in museums all over the world. These areas in southern Nigeria still produce large amounts of bronze castings. Woodcarvings and terra-cotta sculptures also are popular.
Nigerians are expert dyers, weavers, and tailors. They produce massive quantities of beautiful, rich, and colorful textiles. However, the majority of these are sold primarily for everyday wear and not as examples of art.
Performance Arts
Dance and music are perhaps the two most vibrant forms of Nigerian art. Nigerian music is dependent on strong rhythms supplied by countless drums and percussion instruments. Highlife is a type of music heavily influenced by Western culture. It sounds like an Africanized version of American big band or ballroom music.
Afro-beat combines African rhythms and melodies with jazz and soul. One of Nigeria's best-known Afro-beat artists, Fela Kuti, was heavily influenced by American artists such as James Brown. Palm wine music gets its name from the palm wine saloons where it is traditionally heard. Its fast-paced, frenzied rhythms reflect the rambunctious nature of many palm wine bars.
Perhaps Nigeria's most popular form of music is juju, which uses traditional drums and percussion instruments to back up vocals and complicated guitar work. Popular juju artists include King Sunny Ade, Ebenezer Obey, and Shina Peters.
EMBASSY OF THE PEOPLE'S REPUBLIC OF CHINA IN THE FEDERAL REPUBLIC OF NIGERIA ALL RIGHTS RESERVED
http://ng.china-embassy.org/
No comments:
Post a Comment